"symbionic", Katie Caron's solo exhibit at Spark Gallery looks at duality.  In her artist statement Katie writes, "...(I'm) building a visual vocabulary creating a dynamic tension between the real and artificial without denying their commonality."  Katie is a talented ceramic artist and I've had the pleasure of hearing her speak at the O'Sullivan Gallery last spring.  One of the benefits of following artists both literally and figuratively is that I can deepen my understanding of their work.  I get to extend the dialogue with the artist to see if they have a true vision for the work and a forward momentum for where the work will go.  To me this is the difference between a hobbyist and a professional.

"Urban Development" is a grouping of pieces that are square in structure but curve out from their mounting on the wall.  It reminded me of the my play-doh set where I would put the play-doh in and push the shapes out of what I'm told is called an extruder.  The piece has a duality because the outside of each piece resembles a tree trunk and yet the pieces are square.  I also like that Katie extends her work with the use of found objects from salvage stores and junkyards. 

I asked Katie if she's thought any more about graduate school and she shared that she has applied to five schools for an MFA.  Her number one choice, Cranbrook, the leading school for ceramic work.  Her concern if she gets in is the tuition.  I told her that if it's important for her to go to Cranbrook then she'll be more motivated to sell her work to pay for the tuition.  She has the vehicle, her amazing art, now she needs the tenacity to make it happen with or without the help of a gallery.  I believe she can do it...she's personable, talented and enthusiastic a great combination.

Wishing you much success...
Greg

artist success strategist
www.artistsuccessstudio.com