Women and Kitchens
The Women's Caucus for the Arts, Denver Chapter, hosted a reception for their show "Kitchen Goddess". The gallery portion had an installation of a kitchen with kitchen related activities all covered in fiber. The stove was covered in fiber with the heating coil made from yarn, etc. It looked like a Playskool artistic version of a kitchen. There were some individual artist pieces in the room to add to the ambiance.
The mezzanine had the bulk of the show. It's a juried show and I was wondering who juried the show. I would have liked to see a juror's statement to understand why some pieces were included. I know the organization is having some difficulties and I was wondering if some of the pieces were in the show because they were active members? Or did the jury really feel they belonged there?
For me the pieces to see were Sally Mankus' "Crown" and "Pyramid Handles". They are pot lids that have been altered with some type of transfer of faces. It is a very inventive use of kitchen materials and really emphasized the theme of the show. Catherine Schemmerling's "Double Ewe" utilized acrylics and vintage wallpaper. I felt the vintage wallpaper added an authenticity to the piece that really couldn't have been achieved any other way...kudos to Catherine. Cathryn Ridlen's mix media sculptures were fun, whimsical and gave voice to the kitchen goddess in a unique way. It reminded me of the saints and there being a saint for everything. Cathryn's sculptures gave a presence to all the kitchen goddess' ; the three in the show are "Fruitful Goddess", "Java Goddess" and "Mixing it Up Goddess". I found Kay Tuttle's three panel screen of oil on canvas to be a true testament to the wonders of the Kitchen Goddess. Her piece "The Diet Del Monte Crunch/As the World Turns brought to life the dualities in the life of each and every kitchen goddess. It had a real presence in the show and I would love to see more of Kay's work.
The show was interesting but not the hit I'd hoped for. What I found to be the most artistic point of the evening were the members of the Women's Caucus for the Arts. The women dressed in vintage attire as they played meet and greet with the attendees. The costumes were a cross between "Pleasantville" and "The Wizard of Oz". They were the greatest kitchen goddess' of all. Too bad we couldn't keep these women on display for the length of the show.
Getting hungry...
Greg
The mezzanine had the bulk of the show. It's a juried show and I was wondering who juried the show. I would have liked to see a juror's statement to understand why some pieces were included. I know the organization is having some difficulties and I was wondering if some of the pieces were in the show because they were active members? Or did the jury really feel they belonged there?
For me the pieces to see were Sally Mankus' "Crown" and "Pyramid Handles". They are pot lids that have been altered with some type of transfer of faces. It is a very inventive use of kitchen materials and really emphasized the theme of the show. Catherine Schemmerling's "Double Ewe" utilized acrylics and vintage wallpaper. I felt the vintage wallpaper added an authenticity to the piece that really couldn't have been achieved any other way...kudos to Catherine. Cathryn Ridlen's mix media sculptures were fun, whimsical and gave voice to the kitchen goddess in a unique way. It reminded me of the saints and there being a saint for everything. Cathryn's sculptures gave a presence to all the kitchen goddess' ; the three in the show are "Fruitful Goddess", "Java Goddess" and "Mixing it Up Goddess". I found Kay Tuttle's three panel screen of oil on canvas to be a true testament to the wonders of the Kitchen Goddess. Her piece "The Diet Del Monte Crunch/As the World Turns brought to life the dualities in the life of each and every kitchen goddess. It had a real presence in the show and I would love to see more of Kay's work.
The show was interesting but not the hit I'd hoped for. What I found to be the most artistic point of the evening were the members of the Women's Caucus for the Arts. The women dressed in vintage attire as they played meet and greet with the attendees. The costumes were a cross between "Pleasantville" and "The Wizard of Oz". They were the greatest kitchen goddess' of all. Too bad we couldn't keep these women on display for the length of the show.
Getting hungry...
Greg
Hi Greg, I was forwarded this review. Thanks for your kind words about my piece. (The room divider) It is actually a piece started long ago, and I finished it specifically for this show, because it fit the theme so well. Anyhow, if you would like to see more work, please go to my web page, Kaytuttle.com, or come to Sliding Door Gallery's inauguaral opening this fri night at 564 Sant Fe drive (where Capsule gallery used to be, we just moved in) We are having a group show there. Hope you can come. Ill get back to reading more of your reviews. Thanks, Kay
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Hi Greg:
Thanks so much for your kind words about my mixed media sculptures (Fruitful Goddess, Java Goddess and Mixing It UP Goddess). I love mixed media - I love to be able to discover beauty in overlooked, unappreciated things and arrange those hidden treasures in a way that renders their beauty apparent - or atleast make someone smile or laugh. I also design jewelry - mixed media - I use old jewelry pieces, finds from garage sale, flea markets, hardware stores and re-design them in to little works of art. I sometimes wonder as I am sitting in my studio if other people would find my work interesting or atleast funny. Thanks for your words of encouragement.
Cathryn Ridlen
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Hi Greg!
Thanks for the Kudos - I loved working with vintage wallpaper (thanks to ebay!). All three of my pieces were centered around the kitchen wallpapers of old. I loved working with the patterns and plan on doing more. Thank you again for taking the time to not only view the art but write about it as well.
I do have to give a shout out to Suchil Coffman, the curator who worked this vision with passion for 2 years!
Thank you again, Catherine Schemmerling
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